"original artwork"; not in the sense of being an object, nor is it a frame of a video clip or a still photography from the visual display in a monitor. To describe it being "Videoart" is not comprehensive. HISTORY OF VIDEOART.
What it is ?
Subatomic particles in the lepton family, in moments of manipulated movements by the artist, constituting an est. action painting
registred as a static image on e.g. "silver"-film or electronic disc/tape later in the process transferred into any other physical material of choice, e.g. canvas or to any substance or subsubstance out of which a thing is or can be made. "Finally" making-up an object ...
"It seems likely that these pioneering broadcast experiments were influential on the subsequent work of Nam June Paik"..."...possibly spurred on by the work of Sjölander in Sweden."
Dr Chris Meigh-Andrews book a History of Video Art - the origins of video art - pages 116 - 118
...and while Gene Youngblood wrote and published his book "Expanded Cinema", 1970 and described the artist Ture Sjolander's groundbreaking invention of electronic animation and video art, from early 1960's, in his book - page 331 -, Ture Sjolander had already return to ancient artistic technology, making a great tapestry in Aubusson in France.
Two most important historical and famous events being documented in tapestry: